Troels Wörsel

...It has therefore been very satisfying to work on these prints. The work has for me been purely artistic and purely concerned with the means of achieving effects that exploit some of the possibilities of the medium. But the outcome is images, and as such they mean something. So a few words on why they interest me: There are a couple of what I call Horse Frames: the legs of a horse and its belly forming a frame around something – here simply visual space, quantified by a curved tartan grid (think of space as consisting of discrete parts). There is the two-part piece Alpe – Mare which is about how one work generates another. And there is the large horse print. In the last couple of years I have been interested in the relation between painting and perception, and in what you actually perceive when you paint. However, the print has been done from a painting dealing with these problems. And that’s the point. For I noticed that the painting seen purely in black and white, with its abrupt changes between what seems like positive and negative areas, was painted in a way resembling a woodcut. The woodcut was then a way to show the form of the visual experience.

Printed by Elena Alonso and Juan Cruz Ibañez.

Unless otherwise stated, frames and taxes are not included.

Printed by Dan Benveniste.

Please contact us for prices and availability.

Printed by Dan Benveniste.

Unless otherwise stated, frames and taxes are not included in the below mentioned price.

Printed by Dan Benveniste.

Unless otherwise stated, frames and taxes are not included in the below mentioned price.

Troels Wörsel came to our workshop in order sign the publication of The Spanish Set and we decided to benefit from his stay. The result is this single print, titled Amsterdam, a full tour de force of Wörsel's print capabilities and grey scale control.

Printed by Dan Benveniste.

Quoted prices excl. framing and taxes.

Printed by Dan Benveniste.

Unless otherwise stated, frames and taxes are not included in the below mentioned price.